Album review: Kyron – Dreaming Eden

Words by Grey Malkin João Branco Kyron, known for his role within the formidable and innovative Beautify Junkyards, also has solo pedigree, having previously released 2022’s alluring ‘Ascending Plume of Faces’, an eerie and psychedelic piece of experimental electronica influenced by the occult artist Austin Osman Spare. Whilst Beautify Junkyards gear up for their fifth album … Continue reading Album review: Kyron – Dreaming Eden

Haunting Ourselves – A Year In The Country: Straying From The Pathways

Haunting Ourselves - A Year In The Country: Straying From The Pathways Words by Grey Malkin Now almost in its sixth year, the A Year In The Country project (helmed by Stephen Prince) has given birth to numerous hauntological musical excursions on its associated record label, not least on the continuing series of compilation albums that merge … Continue reading Haunting Ourselves – A Year In The Country: Straying From The Pathways

Album review: Lost Harbours – Towers of Silence

I'm always particularly impressed by albums that seem to exist in a vacuum, that create their own unique and inimitable atmosphere. Even more impressive is when this is achieved with minimal studio trickery but rather through the instrumental talent of it's creators. This is the case with the new Lost Harbours album, 'Towers of Silence', … Continue reading Album review: Lost Harbours – Towers of Silence

inside the hauntological world of mixed media artist ollie clixby

Mixed media artist Ollie Clixby talks folk-horror, shamanism, Devon, and David Lynch...As a practicing 'hauntologist' and revivalist of folk horror, Oliver themes much of his work around 'the past' and the culturally collective specters which haunt our present. He graduated from University of Westminster, with a BA(hons) in Contemporary Media Practice. Originally intent on becoming a film director, he would instead broaden his mediums and utilise them symbiotically, in order to allow for creative independence and a resulting idiosyncratic style.