Interview and words by Angie Moon Everybody knows Woodstock, that one festival in upstate New York that took place from 15-17 August 1969. It's arguably the most famous and legendary music festival ever. Songs like "Woodstock" and "For Yasgur's Farm" were written about that incredible, one-of-a-kind weekend. A Woodstock film was released in 1970. Pretty much any classic rock … Continue reading From Avándaro to Autodestrucción, an interview with Victor Moreno of Medusa
Cut and paste collage artist and founder of the Brooklyn Collage Collective, Morgan Jesse Lappin, speaks to MOOF about his artwork and some exciting upcoming projects… MOOF: Why collage? How did you get into collage in the first place? MJL: I started making collage art because it was my way of coming up with designs … Continue reading the weird and wonderful collages of morgan jesse lappin
Words by Kristin Thomas Rare is it, when I’m driving I hear a song that forces me to pull my car over in order to give it my full attention. “Could it be?” Is a question I ask myself when a current band is gracing my ears with a psychedelic sound, with anticipation that each … Continue reading An interview with Fogbound
MOOF chats to psychedelic artist, DJ, owner of Cosmik Folly, and far-out flower child, Dawn Aquarius, about her groovy artwork and inspirations... MOOF: How did you get into 60's music, art, etc? Is it something you've always been around? DA: I suppose I grew up in it, by way of my parents. My dad has always … Continue reading Artist spotlight: Dawn Aquarius
Jack Hopkin reviews Balduin's latest album, 'Bohemian Garden', due for a special edition limited vinyl release on Sunstone Records in October
Mixed media artist Ollie Clixby talks folk-horror, shamanism, Devon, and David Lynch...As a practicing 'hauntologist' and revivalist of folk horror, Oliver themes much of his work around 'the past' and the culturally collective specters which haunt our present. He graduated from University of Westminster, with a BA(hons) in Contemporary Media Practice. Originally intent on becoming a film director, he would instead broaden his mediums and utilise them symbiotically, in order to allow for creative independence and a resulting idiosyncratic style.