Album review: Hill – Metaflections

Words by Grey Malkin Hill, Brighton based Pete Piskov's avant-psych project, have been issuing some of the most inventive and creatively free music upon the underground since their eponymously titled debut in 2016. Several missives have followed; not least 2020's 'Into Outta This World' and its sister release 'Into This Outer World', which saw Hill … Continue reading Album review: Hill – Metaflections

Album review: Great Silkie – Dawn Chorus

Source: album artwork Words by Grey Malkin Great Silkie, from London, have stirred the waters of pastoral psych folk with their initial singles 'Scared To be Alone' and 'So Many Hours', and now return to crest the wave that debut album 'Dawn Chorus' will surely create. Written in near solitude within the countryside by singer and … Continue reading Album review: Great Silkie – Dawn Chorus

EP review: The Owl Service – Rise Up Rise Up

Album artwork Words by Grey Malkin The Owl Service initially came to attention via a series of mostly self-released EPs throughout 2006 and 2007, each highlighting not only their love of rustic or psychotropic horror films such as Blood On Satan's Claw and Psychomania, but also their masterful and intuitive ability to capture a psychedelically hued folk rock … Continue reading EP review: The Owl Service – Rise Up Rise Up

Album review: Moongazing Hare – The Middle Distance

Source: album artwork Words by Grey Malkin Moongazing Hare, the public persona of musician and artist David Folkmann Drost, has been working on the fringes of intimate and experimental psych folk for several years now, to both significant acclaim and accomplishment. Collaborating at times with fellow like-minded travellers such as Trappist Afterland and United Bible … Continue reading Album review: Moongazing Hare – The Middle Distance

Album review: Rokurokubi – Iris, Flower of Violence

Album artwork Words by Grey Malkin Brighton based psychedelic folk duo Rokurokubi (Rose and Edmund) first emerged in 2019, as if out of the pages of a copy of Perrault’s 'Fairy Tales', or from somewhere deep within Lewis Carrol’s imagination, with their debut recording ‘Saturn in Pisces’. An elaborately adorned, paisley patterned masterclass in wyrd … Continue reading Album review: Rokurokubi – Iris, Flower of Violence

Album review: ZEUK – Crow Spanner

Source: album artwork Words by Grey Malkin Zeuk, aka Cardiff based psychedelic troubadour Marc Roberts, has pursued a consistently curious and creative artistic path since the release of his debut, ‘Zeuk’, in 2013 on the Reverb Worship label. A glorious, intimate and highly personal piece of acid folk painted in wild, romantic colours and adorned … Continue reading Album review: ZEUK – Crow Spanner

An interview with Constantine

Lady Godiva chats with Chicago-based psych folk maestro Constantine Hastalis... How old were you when you started playing music and do you remember the first record you bought? I was but a wee lad but I didn’t become obsessed with it until my mid-late teens. Your music is very evocative of nature and folklore. Were … Continue reading An interview with Constantine

Album review: Trappist Afterland – Seaside Ghost Tales

Album artwork Words by Rhys Jones Australia’s prolific acid folk troubadour Adam G. Cole returns with the third instalment of gnostic folk album (and his 9th overall). If the rumours are true this may well be his final album under the Trappist Afterland guise but from the songs on offer here (solo compositions and collaborations) … Continue reading Album review: Trappist Afterland – Seaside Ghost Tales

Album review: Alula Down – Postcards From Godley Moor, Summer 2020

Album artwork Words by Grey Malkin Alula Down, Hereford's Mark Waters and Kate Gathercole, have been at the forefront (alongside compatriots Sproatly Smith) of their locale's 'weirdshire' scene and accompanying series of mini festivals that have showcased the likes of Trappist Afterland, David Colohan and In Gowan Ring. Over the last five years they have … Continue reading Album review: Alula Down – Postcards From Godley Moor, Summer 2020

Album review: Constantine – In Memory Of A Summer Day

Album artwork by Stephen Titra Words by Grey Malkin Hailing from Chicago, Constantine's debut album, 2015's 'Day of Light', was a welcome reminder that acid and psychedelic folk was still being made with the creativeness, left field ambition and careful craft that first arose in the late 1960s/early 1970s. Indeed, Constantine recommends his music to … Continue reading Album review: Constantine – In Memory Of A Summer Day